Since it concerns music, we are always thrilled when it comes to the songs of Shri 420……reproduced below……….
…………………..1. Dil ka haal sune dil wala, sidhi si baat na mirch masala…….
…………………..2. Ichak dana bichak dana, dane upar daana chhajje upar ladki nache, ladka hai diwana…..
…………………..3. Mera joota hai japani ye patloon englastani, ser pe lal topi rusi, phir bhi dil hai Hindustani.
…………………..4. Mud mud ke na dekh mud mud ke, zindagani ke safar me tu akela hi nahi hai, ham bhi tere hamsafar hain….
………………….5. O jaane waale mudke zara dekte jana, dil tod ke to chal diye, muhko na bhulana.
………………….6….PYAR HUA iqrar hua hai, pyal se phir kyun darta hai dil, kahta hai dil rasta mushkil, maaloom nahi hai kahan manzil.
…………………..7. Ramaiyya vastavaiya, maine dil tujhko diya, maine dil tujhko diya.
…………………..8. Sham gai raat aai ke balam aaja, o balam aaja, ab to sajan aa ja.
The story of mud mud ke na dekh is well known to SJ lovers……in different version……One version says, they all (u understand) were going on foot on the road and when a bunch of girls passedbye, Jaikishan, just cud not stop and look them turning himself……Shailendra watched this and immediately uttered ”mud mud ke na dekh, mud mud ke…..’ Jaikishan caught hold of the lines and the result so stimulating was before us…………………………………………………………….SECOND version says that as Shankarji had purchased a new car, so all welling travelling enjoying Bombay…..Here the girls came through and Jai turned his face to see them,,,,,,Shailendra from back seat…..yes brought out…”mud mud ke na dekh,,,,mud mud ke”………Whichever version u like the song was extraordinarily and beautifully composed, in dress of girls in white, as white was Raj’s fav color.
…….Dear friends….there is no dearth of so many version about what happened with SJ and their songs……Strange enough, I recollected and again two versions of ”Ramaiyya Vastavayya,” hit my brain from different magazines……1) Some member also mentioned it……………………..that the duo and friends were passing through few workers and some Telugu fellow was murmuring ”Ramaiya Vastavaiyya”. Shankar on hearing caught hold of the ‘mukhda’ and was happy to find out out what his next song wud be…..
………The other version I read from a weekly magazine ”Saptahik Hindustan” very popular in Hindi and second to Dharmyug, another most popular weekly. In S.H., on music page was mentioned that there was meeting of music directors…..and while taking on his coat, Shankarji asked Jai ”CHAL RAMMAIYYA”, chalen ab…..and there struck the IDEA and he told Jai, that what I said, we can make a song—”Ramaiyya Vastavaiyya” , (as I mentioned, being Telugu, the word suddenly came out of his mouth, and the song composed…………………………..My intention that when people become famous, there are so many stories of them, their creations……I leave u just think over and sing the most beautiful tune of Hindi cinema, generated so wonderfully with Rafi, Mukesh and Lataji with an extraordinary support of chorus…(In the last ending part, I was thrilled by Rafi sahab’ ‘s long aalap. The beauty of the song is further enhanced when the starting of song goes on with small aalap by Rafi Sahab.)…….just see the genius of Shankar-Jaikishan, how to make small into a big ‘banyan’ tree.
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