Posted by: gopalshroti on: February 23, 2012
Annu Kapoor presenting SJ on Masti Channel and the small few anectotes he narrated are already known to SJ fans and the persons who listens their songs with a good ear…..there are 200 films to SJ’s credit, and more than hundred films’ songs are ”ek se badhkar ek”….I’m unable to understand why Annu Kapoor is presenting 2-2 songs from one film….We were eager to hear more of their life lifestyle as MDs, their composing, their using different voices, different instruments,dealing different songs differently….Songs we already heard many times and Masti Channel and B4U play them regularly sometime during 24 hours.3 days passed, very few films he covered—where are other film songs. Raj Kapoor film songs cannot be played due to some reason.Let it go aside.Why he played 2 songs each from Love in Tokyo,Kathputli, Hariyali aur Rasta, Dharti,Dunia,Ujala,Raajkumar,April Fool,Dil Ek Mandir etc…Where r other top songs of two full decades, leave RK’s 16 films…..KYA SJ’S KA TREASURE ITNA CHHOTA HAI Annu Kapoor ke liye—-We expected maximum of songs even half played during these 5 days……SJ KA KHAJANA JAISE CHHUA HI NAHIN, it seems.There is no mention except Rafi,Mukesh,Lata, of Manna Dey, Talat Mehmood, Hemant Kumar,Mubarak Begum, Mahendra Kapoor,Sharda,Subir Sen etc. Only he mentioned ‘Dattu (Dattaram) theka’….Not to expect much from the richness of SJ music with more & more film songs adding on 24th and 25th Feb,the last 2 days…..It is nothing like a rich tribute to Shankar Jaikishan from 21 to 25 Feb,2012….The new generation listening to this programme will be unaware of the great songs SJ created in 20 years with much of the sweating on their part for their fans and for the films they signed for the producers-directors, not to be doomed….Sad Annuji…I am unable to understand u cudn’t open ur heart for the late great DUO of HFM….Even we wud have been satisfied on listening of hundreds of Mukhdas and the name of films from ur lips…The SJ fans cud update their memories of Shailendra, Hasrat songs….With SJ, SH too shd have given importance since SJ tuned their lyrics…and all 4 have had a great collaboration with Sebastian and Dattaram…..not to mention how important they all were for each other….SJ,then SH and SD…..THNX TO SJ LOVERS AS THEY RELISH each of their song with mush faithfulness and enthusiasm……Yes I cud not feel the enthusiasm a SJ’s music listener cud jump from his chair in this programme.
Posted by: gopalshroti on: January 30, 2012
The classical Indian music is based on ‘aath prahar’ of day and night and so even the classical, sugam sangeet, or folk music of yesteryears of hindi film cinema somehow/somewhere matches these ‘prahars’….Therefore the past MDs followed that discipline…but today alas, ‘MDs,singers & lyricists ki roji-roti chalna mushkil ho jayegi’….the bad orchestration has chewed the lyrics’wordings, and what the singers r singing is ununderstandable. One day I saw one tv channel was writing the wordings below the screen of the song being played…..SHAME!!!! for whom? Sometimes my grandson says, ‘nanoo samajh mein nahin aaya’…..I still feel if they adopt the ‘raga’ based songs with less noisy orchestration, it wud be better for young generation to find way into the great musical heritage of India….There was more orchestration in the past, LIKE 100 piece orchestra (SJ employed),40 piece orchestra etc… but that did not suppress the voices of legendary singers and the sweetness of the songs give u relief in troubling times….Almost all the songs of SJ had some base of classical,western,or folk music…However, I give below few classical raga based songs:
1. O basanti pawan pagal—-Rag Shivranjani….Even the full western orchestration song with piano,violins and choir voices ‘Dil ke jharokhe mein tukhko bithakar…’ is based on this rag.
2. Tadap ye din raat ki…(Amrapali)-Bhimpalasi.
3. Man mohana bade jhoote…(Seema)–Jayjaywanti.
4. Panchhi banu,udati phirun (Chori Chori) –Bhupali.
5. Geet gaata hun main..(Lal Paththar)–Kirwani.
6. Lapak Jhapak (BOOT Polish)–Megh.
7. Koi matwara (Love in Tokyo)–Darbari.
8.Ajahun na aaye balma (Saanjh aur savera)–Sindhu Bhairavi……to mention just few.
Posted by: gopalshroti on: January 12, 2012
Who says…that the tunes of Bhangra make u dance…..see the couple dance on this beautiful song…in a marriage reception….thnx to Tulsi Mohan and Diksha Bhagwan, the song comes alive.
aaja sanam madhur chandani – tulsi mohan chand
www.youtube.com
Full Masti Time by Tulsi Mohan and Diksha Bhagwan
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Neeru Kumar likes this.
Melarkode Vishwanath Devraj Beautiful,beutiful.Mazaa aaya.
Wednesday at 12:00pm · Like
Gopal Shroti Thnx Devrajji….I too was thrilled on this song sung by other singers, following music almost in toto….I watched many times and cannot help my sentiments…..pl log on to www.youtube.com, song aaja sanam madhur chandni mein hum….and see the lady dancing in better way, than taught by Saroj Khan in recently finished ‘Nachleve’ on TV. (THIS is from facebook on my profile,Gopal Shroti….the youtube link cud not be copied.).
Posted by: gopalshroti on: December 15, 2011
Posted by: gopalshroti on: October 22, 2011
His combination with Shankar Jaikishan and Mohammad Rafi was very grand. SJ composed music in almost 22 films of Shammi Kapoor and the songs of those films are still considered musical gems. Hit songs include “ehsaan tera hoga mujhpar”, “meri yaar shabba khair” sung by Rafi, composed by SJ in Junglee, “tumse accha kaun hai”, “lal chari”, sung by Rafi, composed by SJ in Janwar, “aye gulbadan”, “awaz deke” composed by SJ sung by Rafi in the film Professor, “tumne pukara aur hum chale aye”, “yeh rang badalti duniya me” composed by SJ, sung by Rafi in the film Raj Kumar, “aasmaan se aya farishta”, “raat ke humsafar”, “akele akele kahan ja rahe ho” composed by SJ and sung by Rafi in the film An Evening in Paris, “mai gayun tum so jayo”, “aajkal tere mere pyar ke charche”, “dil ke jharoke me” composed by SJ sung by Rafi in the film Brahmchari, to name a few. The list can go on.
Posted by: gopalshroti on: September 28, 2011
She started her career opposite Shammi Kapoor in the film Dil Deke Dekho in 1959. The film did great business with hit songs composed by Usha Khanna including “dil deke dekho” sung by Rafi. After that she acted in musical blockbusters most of which were directed by Nasir Hussain. She was sublime in the film Jab Pyar Kisi Se Hota Hai opposite Dev Anand. The songs in the film composed by Shankar Jaikishan like “sau saal pehle”, “yeh ankhe uff yumma”, “teri zulfon se”, “jiya ho” became rich assets of history…..and also ”Sayonara” cannot be forgotton and she will remain in HFM’s history as a Japanese girl, the song sung by Lataji under S-J baton.
Posted by: gopalshroti on: September 27, 2011
SJ’S music can be counted as it started with Lata in Barsat and ended with Lata in 1975 in Sanyasi, the glaring glory which never happened. For Raj Kapoor, SJ founded Mannada and Mukesh and for Shammi and Rajendra Kumar Rafi sahab was very close to th…em…despite this they are the only musicians who used maximum of male female voices in the industry. However again, their using two voices for the same song was most popular and people had to flock cinema hall, which version is best sung. Another use of same voice for two different versions of their songs include Kathputli…bol ri kathputli dori and this songs second version is fabulous. and next example of Mohd Rafi singing in ”boyfriend”….muje apna yaar bana lo phir ho jaaun sansar ka – in a jouous mood in a train in Hariyanavi,,,,and the other sad verson one antara, is most beautiful,a desperate Shammi and soft rhythm and melody. True film music lovers will love to hear the songs of that golden era today also, whether gals and guys, old and young alike.
Posted by: gopalshroti on: September 27, 2011
Happy u PEOPLE joined the grt music stalwarts the HFM ever had and now we do not expect to have further…SJ had 300 solos of Lata in their 2 decades career which wud hv increased, if there was no ego between them a few times, and SJ had to shift …to Mubarak Begam, Suman Kalyanpur, Shardaji for many beautiful songs…and I am more than confident that it was Lata only who culd do justice to their creations. Even Asha was less in their songs…only example, the aalaps they created in their tunes were in Lata songs only, since none other female voice could reach that volume and ‘murkis’ Lata easily handled.
Posted by: gopalshroti on: September 27, 2011
Good Sangeeta, yesterday I heard on ‘Masti’ channel…though hearing many times since long, I was again mesmerized by SJ’s super-duper tune with single and collective use of violins, Lata’s virgin voice, Kumkum simply superb and Rajkumar as usual in his style…Dhumal playing ‘ektara’….This was an Item no. of that time in B&W….SEE THE DIFFERENCE, now Munni and Sheila in semi nudes and next day forgotten….the era was superb and still holds good after more than 50 years…..Main ho gai kisi ki koi mera ho gaya, kya dekha tha tujh mein dil tera hos gaya, ye sochte hi sochte savera ho gaya.(UJALA ho gaya)…Listen to the excellent ‘dholak’ by Dattaram, lovingly called ”Dattu-theka”.
Posted by: gopalshroti on: September 25, 2011
Happy u joined the grt music stalwarts the HFM ever had and now we do not expect to have further…SJ had 300 solos of Lata in their 2 decades career which wud hv increased, if there was no ego between them a few times, and SJ had to shift …to Mubarak Begam, Suman Kalyanpur, Shardaji for many beautiful songs…and I am more than confident that it was Lata only who culd do justice to their creations. Even Asha was less in their songs…only example, the aalaps they created in their tunes were in Lata songs only, since none other female voice could reach that volume and ‘murkis’ Lata easily handled. it was started with Lata in Barsat and ended with Lata in 1975 in Sanyasi, the glaring glory which never happened. For Raj Kapoor, SJ founded Mannada and Mukesh and for Shammi and Rajendra Kumar Rafi sahab was very close to them…despite this they are the only musicians who used maximum of male female voices in the industry. However again, their using two voices for the same song was most popular and people had to flock cinema hall, which version is best sung. Another use of same voice for two different versions of their songs include Kathputli…bol ri kathputli dori and this songs second version is fabulous. and next example of Mohd Rafi singing in ”boyfriend”….muje apna yaar bana lo phir ho jaaun sansar ka – in a jouous mood in a train in Harinayanavi,,,,and the other sad verson one antara, is most beauriful.