TRIBUTE TO SHANKAR JAIKISHAN-49-MUKESH on his birthday-2

It was this firm commitment of his that made Mukesh such a favourite of Shankar Jaikishan….Shankar said that Mukesh alone cud give that special effect he needed in a theme-song like ”Dost dost na raha”….He further said that he certainly needed to work on Mukesh’s vocals, but the end effect  wud be so telling that the listner came to discern  there was a certain result  that cud be got from Mukesh only.

It was Shankar who generally composed the title song or the theme song of a S-J film…..Therefore said Mukesh that he always made it a point  to remain in Shankarji’s good books. From whom else cud he hope to get a ”Sajan re jhooth mat bolo”…..But does this mean Mukesh was any less keen when on the rare occasion, the title song done by Jaikishan….Not in the life….Take ”main aashiq hoon baharo ka”. this was done by Jaikishan. Do anybody find it less appealingly rendered by Mukesh for that reason?

Or take another ”bol radha bil sangam hoga ki nahin” . This was yet another title tune done by Jaikishan. And it was for a prestigious RK show like ‘Sangam’. Mukesh cud never think to differentiate with  Shankar or Jaikishan. Shankar might have been his title-tune staple, his mainstay. Yet Mukesh kept his vibes going with Jaikishan too, for his tune he rendered in the beginning of their career, ”Awara hoon”. Mukesh humility excelled in dealing with other composers too. For example in other RK movie, RDB had to tune up on insistence of Raj Kapoor for Mukesh in Dharam Karam -”ek din bik jayega mati ke mol”…Dada Burman hardly took Mukesh, but when Kishore Kumar shied away to sing this song which was not on the lips of Dev Anand, the hero. Thus Mukesh came in with Dada’s warning that he wud cancel the number  if he was not satisfied with the recording. This encouraged Mukesh to give the solo all he had….that is ”chal ri sajni ab kya soche” (Bambai ka babu)….still this falls most vibrantly on the ears….Why Mukesh was valid on Amitabh Bachchan in ”kabhi kabhi”-‘main pal do pal ka shayar hoon’–is the poetry of Sahir enriched by the compositional artistry of Khayyam and in ”kabhi kabhi mere dil main khayal aata hai”….this was his humility, which rendered ”sawan ka mahina pawan kare sor” in Milan on Sunil Dutt (Laxmi-Pyare), and in Saraswatichandra ”chandan sa badan chanchal chitvan” (Kalyananji Anandji) and many more to recount.

TRIBUTE TO SHANKAR JAIKISHAN-46-MUKESH-QUIZ

”Those who say he was ‘besura’ do not know their job as composers…This is film music, not Beethoven’s symphony. We are peoples’ composers and Mukesh was the people’s voice.” The music director who said that composed the ‘mera joota hai japani’ and ‘ramaiya vastavaiyya’ numbers of ‘shri 420’, as also, ‘Dil ka haal sune dilwala’ and ‘Pyar hua iqrar hua’ numbers. In the first two numbers, this music director employed the voice of Mukesh for Raj Kapoor, and in the latter two songs the voice of Manna Dey for Raj Kapoor….who was the composer, Shankar or Jaikishan…..indeed Shankar. and in ‘Dil ka haal sune dilwala’ the ”chu-chu” in between when antara ends,was from the tongue of Jaikishan….However when Jaikishan actually came into the scene of  Shri 420, all songs were recorded by Shankar….Jai on his part composed the emotional Nargis dream song: ”O jane wale mud ke zara dekhate jana, munh pher ke to chal diye mujhko no bhulana”….

2. There was a song in Aah, sung by Mukesh but also filmed on him……yes it was ‘Chhoti si ye zindgani re, chaar din ki jawani teri’.

3. Once Jaikishan composed a tune for Mukesh. The singer sang in such style that Jaikishan felt it should be filmed on himself on the screen…..the song and film…?….’Ai pyase dil bezubaan, tujh ko le jaoon kahan’-film Begunah (1957)banned within a week of its release due to some reasons…Thanks God, I saw Jai lip-moving on piano.

4. This song was composed by Jaikishan immediately after the Nargis-Raj Kapoor team had broken up. There was a taunting tone in Hasrat’s lyric, written for a film in which Mala Sinha played Raj Kapoor’s heroine. There is no way of knowing whether Mukesh, who sang it for Raj Kapoor approved of the sentiments expressed in it, in the context of Nargis-Ral split…….which song and film?…….’kisi nargisi nazar ko dil denge hum’ for ‘Main nashe main hoon'(1959), a song in which the accent was on the word ‘nargisi’…….to continue…..